Author: Zach Davis

  • Bundle Kitt Let Me Meow At A Bug

    Bundle Kitt Let Me Meow At A Bug

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    Bundle Kitt isn’t quite the standard James Earl Cox III fair. It isn’t super dark, weird, or satirical. It’s just kind of… there. And that’s a nice change of pace.

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  • Baba Is You Is 2017’s Best Puzzle Game

    Baba Is You Is 2017’s Best Puzzle Game

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    Remember that feeling we had when everybody played the first SUPERHOT demo? Baba Is You reminds me a lot of that.

    It’s a simple idea that’s so creative I don’t know how we haven’t seen something like it before. You’re asked to move a small creature named Baba around a space, and spell out your own game rules and win conditions using words in the environment. You might see “Rock is Stop” and “Flag is Win” but the flag is blocked by a wall of rocks that ‘Stop’ you. How do you get around them? Push the word “Stop” away, and “Rock Is” will be left behind, not activating any game rules, and the rocks no longer block your way. I promise it sounds way more complicated than it is.

    If you enjoy the feeling of solving a brilliant puzzle and feeling equally as brilliant as a result, Baba Is You will be right up your alley. Even solving the easiest puzzles in Baba gives an intense feeling of accomplishment simply because you’ve never, ever solved a puzzle quite like it before. About halfway through there’s an extremely satisfying moment where you realize the rules can be bent even more than you expected, and it’s one of my favorite things I’ve discovered in a puzzle game this year.

    If you’re ready to bend your brain and make your own rules, give Baba Is You a shot on Hempuli’s itch.io page.

  • Games of the Month – April 2017

    Games of the Month – April 2017

    Not ready to slow down, 2017 keeps on truckin’. Game releases are finally slowing down a bit now that we’re halfway through May, but that barely gives a breather from everything else we’re all still catching up with from earlier this year. Persona 5 seems like one I’ll be trying to finish for a good long while, and Battlegrounds is one I’ll continue to play and watch every good stream of. With The Surge and Rime right around the corner, let’s take care of last month’s unfinished business.

    1. Persona 5

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    I’m about 30 hours into this one, and just finished the second major “Chapter” for lack of a better term. I have a feeling that if I ever finish this, it’s not gonna be anytime soon. Though I don’t think the writing is nearly as good as Persona 4’s, I’m still having a lot of fun with it. Despite some early story issues, a few of them have already ironed themselves out. Fair warning, this isn’t a game that you’re going to be able to recommend without several caveats, maybe even moreso than Persona 4 this time. The writing often feels awkward and mistranslated, the only woman character in the group so far is treated like a sex-object more often than not, and the main conceit of the story (focusing more on the villains than the protagonists) means that we get to know the characters less than we would have in Persona 4. Even though we’re stuck with more issues than I was hoping for, I’m still enjoying my time with it and am excited to meet new characters as the story goes on. I hear that some of my issues are touched on the further I get, so I’m hoping that happens sooner rather than later. The dungeons are fantastic though, and are a necessary improvement that should have been made before the fifth game in this series. As it stands 30 hours in, Persona 5 plays better than any Persona game to come before, and I’m hoping the story and characters can catch up.

    2. Little Nightmares

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    Little Nightmares isn’t made by Playdead, but if I hadn’t known that ahead of time I’d have probably assumed it was. Sitting easily along Limbo and Inside, Tarsier Studios nailed the style they so obviously were aiming for. You play a small child in a raincoat making her way through a series of terrible, malicious environments. It’s dark, tense, and I kind of already want to play through it again. Clocking in at roughly three hours, you have no excuse to skip this one if you’re interested in this kind of platformer.

    3. What Remains of Edith Finch

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    Following in the footsteps of Gone Home, the creators of The Unfinished Swan have crafted a short story about a girl returning to her childhood home. Where the similarities end, though, are when you explore the rooms of the family you used to know and the ones you’d only heard stories of. Once you find their quarters, you’re whisked away to take control of them in their final moments before they passed away see those moments through their eyes. What Remains of Edith Finch is essentially an anthology told inside the trappings of the now well-worn “Walking Simulator” genre that I tend to enjoy so much. If those kinds of things scare you away this one probably isn’t for you, but for everyone else, this is a very solid entry in that genre. It didn’t resonate with me as much as Gone Home or The Beginner’s Guide, but by the end I felt like I had finished reading a nice short story. Sometimes just being pleasant and good is good enough.

    Honorable Mentions

    Mario Kart 8 Deluxe – The best version of the best Marion Kart game, and another reason the Switch is potentially the coolest video game system of all time.

    Banana Boy – A weird arcade thing that you’ll play for about ten minutes and probably remember forever.

    Yooka-Laylee – A game that had a lot of potential and lives up to about 40% of it. If you’re desperate for the return of Banjo… I mean, I guess this is an option.

  • Banana Boy, Isaac, and Aesthetics

    Banana Boy, Isaac, and Aesthetics

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    This is another in a long line of tiny posts about arcadey high-score chasers. I like ’em, okay!

    You play as a flying head who slams into the ground violently while eating bananas with wings (Batnanas, of course) and maggots. Uh, gross. You control the velocity in which your head slams into the ground, aiming for bananas when you’re in the sky while angling yourself to land on the nearest pile of maggots to chomp. Avoid the chainsaws on the ground, though, or you’re in for a one-hit kill. It’s pretty fun and I’ve played more than a few rounds of destroying this poor man’s skull with misplaced slams.

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  • Games of the Month – March 2017

    Games of the Month – March 2017

    About time, right? Every time I’ve sat down to write this one, I end up giving a whole game its own treatment instead. And, y’know, Zelda happened. Then Persona… but we’ll talk about that one soon enough.

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  • Let’s Talk About Breath of the Wild’s Problems

    Let’s Talk About Breath of the Wild’s Problems

    This should come as no surprise to anyone who has seen me in the last month or read my latest post on the game, but the new Zelda is real good, ya’ll. I thought, instead of singing its praises all year long, I could take a minute to talk about the issues I have with the game after spending upwards of 80 or 90 hours with it. Yes, it’s up there with the most fun I’ve ever had with a video game, but it’s far from perfect. If Nintendo follows up Breath of the Wild with something similar, here’s how it could be improved.

    I. The Reward System

    One of the biggest issues with Breath of the Wild is its almost nonexistent rewards outside of the shrine loop. Since BotW loads you up with almost all of the permanent upgrades you’re going to get right from the beginning, there’s very little in the way of meaningful progress you make outside of gaining more hearts and stamina. That kinda sucks. The actual *play* of Breath of the Wild is so incredible, it’s easy to let this slide for a very long time. But when you’re dawning on your final hours and wrapping up shrines and sidequests I kept thinking, what exactly have I gotten from this?

    The unique sidequests and mini games are fun, and I think Nintendo saw the act of doing them as the real reward, but after getting *another* stash of nearly useless rupees I found myself curious if this shallowness felt as obvious to anyone as as it did to me. Whenever you find a chest in a shrine or dungeon, what’s the best that can happen? You’re forced to drop a lame sword from your inventory to pick up a slightly less lame sword. The *one* occasion where they ditch this is when you get the Zora’s armor. That thing rocks and I couldn’t believe they would give you such a cool ability just as an equippable item. And then they never do it again.

    bad items

    Wouldn’t it have been better if there was a larger variety of equipment to find, or maybe even some kind of equivalent to Heart Pieces, or a larger arrow or rupee bag…or just… something? In trimming the fat from older Zelda games, I think Nintendo cut a little too close to the bone.

    II. The Dungeons

    -SPOILERS- If you haven’t finished the Divine Beasts you may want to skip past the next two sections . -SPOILERS-

    So what’s up with these guys? If you’ve frequented as many Zelda forum posts as I have in the last month, you’ve probably heard the same complaint over and over: The Dungeons Suck, and are the worst thing Breath of the Wild did to the series.

    I disagree.

    I think I’m in the minority that believes the Divine Beast dungeons are (for the most part) very well crafted and are some of my favorite content in the game. But that doesn’t mean there isn’t room for improvement. I do miss the themed levels from the rest of the series, like the Shadow Temple in Ocarina of Time or the Snowpeak Ruins Mansion in Twilight Princess. The closest we get to that is the Salamander Beast, which culminates in you flying into a volcano to explore a giant lizard. That’s pretty awesome.

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    The Divine Beasts themselves were all exciting to explore, if a little on the short side. Instead of feeling like an expansive “dungeon” of Zelda’s past, they mostly feel like a larger, more involved version of one of BotW’s many Shrines. Each one has a gimmick, with the Elephant’s water spewing trunk being the most unique, but the Camel and Salamander’s level shifting rotations are super cool, too. The bird is the weakest of the bunch from start to finish. Its gimmick is to… slightly shift to the left or right. It’s not bad, but it’s definitely bland in comparison. Do I wish that Zelda dungeons of old were still scattered about? Absolutely. Would I wholeheartedly trade them and lose my unique, weird animal challenges? Probably not.

    Would I kill a person to get a spooky shadow temple filled with ReDeads and Poes? Just give me a name and I’ll take care of the rest.

    III. Boss Variety

    Soooo… like what happened here? The first Blight you fight is fine. It’s not mindblowing, but it gets the job done as your first boss. Then you fight the second one and you realize that this is all the game has to offer. Get ready, because this is when I continue talking about Ocarina of Time’s Shadow Temple. It’s maybe my favorite level in gaming, okay?

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    This is the mini-boss of one dungeon in Ocarina of Time. Nothing in Breath of the Wild compares visually with how unique and weird Dead Hand is.

    Then you ride a spooky ghost ship to the actual boss of the Shadow Temple.

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    What happened, Nintendo? You remember you use to make incredibly weird stuff, right? Each of the four bosses of the Divine Beast dungeons in Breath of the Wild are almost visually identical. *But* one of them stands out above the rest and helps me forgive them as a concept, if only for a moment.

    The boss of the Camel dungeon is Thunderblight Ganon, a flying dude who shoots lightning and teleports quickly around the arena, forcing you to learn how to dodge and parry or be stricken down in moments. Once you master this section, he flies high above the stage, and you instinctively shoot arrows at him to no avail. He rains electrified pillars down at you and you’re forced to sprint around the room and avoid them as you come up with a new strategy. It took me a solid couple of minutes before I even considered grabbing these pillars with my magnet to send them flying back at him to win the fight. It’s one of the most frantic fights in the game that actually ends with a well-crafted puzzle, and I wish I could say that for literally any of the other main bosses in Breath of the Wild.

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    There are, surprisingly, some other really unique boss fights in Breath of the Wild. They just don’t come at the end of a dungeon. During the Gerudo quest to find away inside the Camel Beast, you sneak through a hidden camp full of thieves and end up fighting their incompetent leader in another of the game’s best fights. You do the typical stabba stabba stabba, but there’s also an element of using your other abilities to take him down. He’s also just a fun character that I wish ended up with more screen time.

    Then there’s the giant dragon resting on top of a snowy mountain. You fight it by jumping off the peak and slow-mo shooting weak spots off of it until you bring it down. That blew my damn mind. Same goes for the Skeletal Hinox and the Desert Gobble Gobble Boy (that’s his name don’t look it up that’s just his name ok). These fights are optional in a Zelda game with the lamest collection of main bosses in the series. That’s weird, right?


    All of this isn’t to throw unnecessary shade at Breath of the Wild. I’d be hard pressed to say it isn’t tied for my favorite Zelda game of all time. But at times it just doesn’t feel like a Zelda game, which I guess is what makes it such an oddity when compared to the rest of the series. It feels like a bunch of geniuses borrowed Zelda elements and slapped them into an unrelated open world masterpiece. And that’s okay!

    Nothing is perfect, but getting pretty close still makes for one of the best games of all time.

    (Nintendo, please make a weirder, darker side story using this engine a-la Majora’s Mask and I’ll never say anything bad about you ever again ok bye bye)